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dub debate in anime fandom is endless, and it is also mostly pointless as it revolves primarily around personal taste. This is the first time I’ve seen a dub-any dub-of Sailor Moon, so I confess that it was jarring when Usagi opened her mouth and Stephanie Sheh’s voice came out. The television animation used in this short does not transfer well to the big screen and in fact gave me a headache.
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This serves to introduce each of the main characters with clips of their transformation sequences taken from the TV show.
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The Short Filmįollowing the interview is the short film Make Up! Sailor Guardians, which is merely a recap episode meant to aid any poor schmuck who’s unfamiliar with the franchise but has been dragged into the theater by an overenthusiastic daughter or gay boyfriend: in it, Usagi and Chibi-Usa are eating ice cream in a cafe when they overhear some girls talking about the sailor scouts. That is, in fact, the purpose of most of the characters’ attacks.
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According to Robbie Daymond, this movie contains the first instance of Tuxedo Mask’s signature attack (throwing a red rose like a dart) being effective, but that’s not true: it’s almost always effective its purpose is to wound or distract a monster long enough for Sailor Moon to cast her finishing move. All the times the sailor scouts have to snap him out of a brainwashing is just to make up for his having to save their sorry butts almost every damn week. Yes, Tuxedo Mask is subject to Sailor Moon’s version of the Worf Effect and gets kidnapped or brainwashed a ridiculous number of times (including once in this movie!), but he’s not a complete pushover. They also talk smack about Tuxedo Mask, and I didn’t find their comments to be fair.
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Most of what I got out of it is that Sheh, Daymond, and Diskin really, really like Sailor Moon.Īs they should, since she writes their checks. This interview didn’t change that opinion: it’s a lot of fangirlish sqeeing and very little substance, and it goes on for several minutes. I’m not a particularly big fan of interviews or voice-over commentaries, mostly because I share the opinion Plato puts in the mouth of Socrates that most artists are idiots when they talk about their own work. The first is an interview with three members of the English voice cast: Stephanie Sheh, who plays Usagi/Sailor Moon, Robbie Daymond, who plays Mamoru/Tuxedo Mask, and Ben Diskin, who plays the film’s villain Fiore. I figured there would at least be a handful of pimple-faced teenagers or obese lesbians, but no.Īnyway, accompanying this release are two extras. It was so embarrassing that some photographers showed up from The Onion and took a photo. I was, I kid you not, literally the only person in the theater. I hope some other showings around the country are more successful than the one I attended, or Viz Media is going to go broke, and I don’t want them to go broke until they finish releasing the series. The film originally came out in 1993 and runs a mere hour and eighteen minutes. So, I just saw Sailor Moon R: The Movie, the first North American theatrical release of a Sailor Moon film, courtesy of Viz Media, which now owns the North American distribution rights. But first, let’s cover the preliminaries. We’ll get to the meaning of the deliberately provocative clickbait title of this review in a moment. Starring Kotono Mitsuishi, Aya Hisakawa, and Michie Tomizawa. Sailor Moon R: The Movie, directed by Kunihiko Ikuhara. Featured image: Totally a real screenshot from the film and not some crazy cosplaying by GeshaPetrovich.